33 bars of 5/4 -- not four -- at 135 BPM, 1:13 of playing on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-11 and 25-26 -- 27.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 7 times: bars 12, 19, 20, 21, 22, 23 and 1 more.
33 bars across 7 sections: 9 keep time, 7 are fills and 15 are silent. The longest unbroken stretch of time is bars 8-11.
135 BPM, in 5/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
33 bars, about 1:13 at the written tempo. The course breaks it into 11 exercises over 4 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 7 times: bars 12, 19, 20, 21, 22, 23 and 1 more.