160 bars of 4/4 at 140 BPM, about 4:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 3-10, 19-26 and 153-160 -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 40 times: bars 35, 37, 39, 41, 43, 47 and 34 more.
7 more fills are written out on the fills page.
160 bars across 15 sections: 96 keep time, 40 are fills, 1 is a stop and 11 are silent. The longest unbroken stretch of time is bars 18-27.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
160 bars, about 4:24 at the written tempo. The course breaks it into 50 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 40 times: bars 35, 37, 39, 41, 43, 47 and 34 more.