114 bars of 4/4 at 141 BPM, about 3:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 17-19, and 4 more places -- 23.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 7 times: bars 33, 41, 56, 57, 65, 67 and 1 more.
1 more fill is written out on the fills page.
114 bars across 6 sections: 73 keep time, 7 are fills, 19 are stops and 8 are silent. The longest unbroken stretch of time is bars 8-31.
141 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 12 out of 100; the rest of the number is everything around it.
114 bars, about 3:14 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 33, 41, 56, 57, 65, 67 and 1 more.