162 bars of 4/4 at 144 BPM, about 4:33 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 8-10, 12-15 and 17-22, and 9 more places -- 30.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 18 times: bars 16, 23, 32, 34, 38, 50 and 12 more.
6 more fills are written out on the fills page.
162 bars across 10 sections: 109 keep time, 19 are fills, 22 are stops and 1 is silent. The longest unbroken stretch of time is bars 107-136.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
162 bars, about 4:33 at the written tempo. The course breaks it into 43 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 18 times: bars 16, 23, 32, 34, 38, 50 and 12 more.