84 bars of 3/4 -- not four -- at 120 BPM, 2:11 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-15 -- 14.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 29 times: bars 1, 2, 3, 4, 16, 18 and 23 more.
3 more fills are written out on the fills page.
88 bars across 8 sections: 38 keep time, 29 are fills and 14 are silent. The longest unbroken stretch of time is bars 5-15.
120 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 75 out of 100; the rest of the number is everything around it.
84 bars, about 2:11 at the written tempo. The course breaks it into 30 exercises over 12 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 29 times: bars 1, 2, 3, 4, 16, 18 and 23 more.