70 bars of 4/4 at a walking 80 BPM, 3:30 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 8, 10 and 12, and 4 more places -- 30.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 5 times: bars 5, 27, 35, 51 and 69.
70 bars across 4 sections: 56 keep time, 5 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 6-26.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 34 out of 100; the rest of the number is everything around it.
70 bars, about 3:30 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 5, 27, 35, 51 and 69.