168 bars of 4/4 at 125 BPM, about 5:23 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 17-30, 110-120 and 122-127, and 1 more place -- 33.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
15 fills to learn, played 22 times: bars 31, 47, 51, 56, 60, 61 and 16 more.
11 more fills are written out on the fills page.
168 bars across 13 sections: 110 keep time, 22 are fills, 4 are stops and 20 are silent. The longest unbroken stretch of time is bars 151-168.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
168 bars, about 5:23 at the written tempo. The course breaks it into 45 exercises over 11 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 22 times: bars 31, 47, 51, 56, 60, 61 and 16 more.