209 bars of 3/4 -- not four -- at 127 BPM, 5:36 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 102-117 -- 7.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 50 times: bars 10, 11, 12, 13, 14, 16 and 44 more.
14 more fills are written out on the fills page.
209 bars across 19 sections: 124 keep time, 50 are fills, 15 are stops and 1 is silent. The longest unbroken stretch of time is bars 119-133.
127 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
81 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
209 bars, about 5:36 at the written tempo. The course breaks it into 86 exercises over 29 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 50 times: bars 10, 11, 12, 13, 14, 16 and 44 more.