111 bars of 4/4 at 143 BPM, about 3:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 21-23, 25-27 and 29-31, and 5 more places -- 21.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 24 times: bars 28, 36, 37, 38, 68, 78 and 18 more.
111 bars across 7 sections: 75 keep time, 24 are fills, 3 are stops and 5 are silent. The longest unbroken stretch of time is bars 41-59.
143 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
111 bars, about 3:06 at the written tempo. The course breaks it into 25 exercises over 10 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 24 times: bars 28, 36, 37, 38, 68, 78 and 18 more.