97 bars of 6/4 -- not four -- at 117 BPM, 4:57 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 11-12, 21-27 and 42-45, and 1 more place -- 32.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 29 times: bars 5, 6, 7, 8, 9, 10 and 23 more.
3 more fills are written out on the fills page.
97 bars across 10 sections: 26 keep time, 29 are fills and 35 are silent. The longest unbroken stretch of time is bars 22-27.
117 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 44 out of 100; the rest of the number is everything around it.
97 bars, about 4:57 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 29 times: bars 5, 6, 7, 8, 9, 10 and 23 more.