390 bars of 4/4 at 140 BPM, about 12:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 58-65, 100-102 and 104-110, and 4 more places -- 10.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 45 times: bars 21, 25, 29, 33, 41, 43 and 39 more.
16 more fills are written out on the fills page.
390 bars across 26 sections: 213 keep time, 45 are fills, 23 are stops and 84 are silent. The longest unbroken stretch of time is bars 294-316.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
390 bars, about 12:36 at the written tempo. The course breaks it into 90 exercises over 25 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 45 times: bars 21, 25, 29, 33, 41, 43 and 39 more.