234 bars of 4/4 at 120 BPM, about 7:48 of playing, on crash, ride, snare, high tom, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 15-16, 19-20 and 23-24, and 22 more places -- 21.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 29 times: bars 13, 17, 25, 33, 41, 49 and 23 more.
1 more fill is written out on the fills page.
234 bars across 8 sections: 103 keep time, 29 are fills, 92 are stops and 6 are silent.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
234 bars, about 7:48 at the written tempo. The course breaks it into 19 exercises over 6 sittings, about 26 minutes each.
crash, ride, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 29 times: bars 13, 17, 25, 33, 41, 49 and 23 more.