97 bars of 4/4 at 115 BPM, about 3:11 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 2-8 and 48-51 -- 11.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 5 times: bars 1, 9, 47, 62 and 97.
1 more fill is written out on the fills page.
97 bars across 12 sections: 48 keep time, 5 are fills, 31 are stops and 1 is silent. The longest unbroken stretch of time is bars 2-8.
115 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
97 bars, about 3:11 at the written tempo. The course breaks it into 40 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 5 times: bars 1, 9, 47, 62 and 97.