154 bars of 4/4 at 128 BPM, about 4:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 34-40, 42-47 and 70-76, and 3 more places -- 26.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
20 fills to learn, played 43 times: bars 5, 9, 13, 17, 19, 21 and 37 more.
16 more fills are written out on the fills page.
154 bars across 14 sections: 89 keep time, 43 are fills, 9 are stops and 1 is silent. The longest unbroken stretch of time is bars 92-101.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
154 bars, about 4:49 at the written tempo. The course breaks it into 54 exercises over 13 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 43 times: bars 5, 9, 13, 17, 19, 21 and 37 more.