80 bars of 4/4 at 110 BPM, about 2:55 of playing, on crash, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-24 and 26-32 -- 19.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 3 times: bars 5, 25 and 63.
80 bars across 11 sections: 60 keep time, 3 are fills, 3 are stops and 3 are silent. The longest unbroken stretch of time is bars 34-43.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 17 out of 100; the rest of the number is everything around it.
80 bars, about 2:55 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 28 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
3 fills to learn, played 3 times: bars 5, 25 and 63.