104 bars of 4/4 at 128 BPM, about 3:15 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27-29, 31-33 and 49-51, and 7 more places -- 27.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 13 times: bars 26, 30, 48, 52, 57, 58 and 7 more.
2 more fills are written out on the fills page.
104 bars across 11 sections: 73 keep time, 14 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 10-21.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
104 bars, about 3:15 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 13 times: bars 26, 30, 48, 52, 57, 58 and 7 more.