104 bars of 4/4 at 128 BPM, about 3:15 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27-29, 31-33 and 49-51, and 7 more places -- 28.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 8 times: bars 26, 48, 57, 58, 85, 86 and 2 more.
104 bars across 11 sections: 81 keep time, 8 are fills and 2 are silent. The longest unbroken stretch of time is bars 88-102.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
104 bars, about 3:15 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 26, 48, 57, 58, 85, 86 and 2 more.