165 bars of 4/4 at 132 BPM, about 5:00 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 25-26, 29-30 and 33-34, and 28 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 24 times: bars 18, 20, 22, 23, 28, 36 and 18 more.
4 more fills are written out on the fills page.
165 bars across 19 sections: 91 keep time, 24 are fills, 15 are stops and 33 are silent. The longest unbroken stretch of time is bars 53-57.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
165 bars, about 5:00 at the written tempo. The course breaks it into 30 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 24 times: bars 18, 20, 22, 23, 28, 36 and 18 more.