177 bars of 4/4 at 136 BPM, about 5:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 25-31, 33-39 and 57-63, and 1 more place -- 16.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 41 times: bars 12, 14, 16, 18, 20, 22 and 35 more.
13 more fills are written out on the fills page.
177 bars across 15 sections: 83 keep time, 41 are fills, 28 are stops and 16 are silent. The longest unbroken stretch of time is bars 45-53.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
177 bars, about 5:12 at the written tempo. The course breaks it into 57 exercises over 14 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 41 times: bars 12, 14, 16, 18, 20, 22 and 35 more.