139 bars of 4/4 at 120 BPM, about 4:38 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11, 17 and 19-21, and 13 more places -- 30.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13 fills to learn, played 36 times: bars 12, 16, 18, 22, 30, 34 and 30 more.
9 more fills are written out on the fills page.
139 bars across 17 sections: 80 keep time, 36 are fills, 6 are stops and 3 are silent. The longest unbroken stretch of time is bars 23-29.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
139 bars, about 4:38 at the written tempo. The course breaks it into 48 exercises over 15 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 36 times: bars 12, 16, 18, 22, 30, 34 and 30 more.