117 bars of 4/4 at 135 BPM, about 3:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1, 3 and 5, and 17 more places -- 19.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 6 times: bars 17, 45, 103, 108, 115 and 116.
117 bars across 10 sections: 93 keep time, 6 are fills and 1 is a stop. The longest unbroken stretch of time is bars 29-40.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
117 bars, about 3:28 at the written tempo. The course breaks it into 33 exercises over 13 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 6 times: bars 17, 45, 103, 108, 115 and 116.