128 bars of 4/4 at 133 BPM, about 3:51 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 22-23, and 11 more places -- 23.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 53 times: bars 4, 8, 12, 14, 15, 16 and 47 more.
14 more fills are written out on the fills page.
128 bars across 15 sections: 51 keep time, 53 are fills, 7 are stops and 2 are silent. The longest unbroken stretch of time is bars 85-89.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 77 out of 100; the rest of the number is everything around it.
128 bars, about 3:51 at the written tempo. The course breaks it into 54 exercises over 18 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 53 times: bars 4, 8, 12, 14, 15, 16 and 47 more.