167 bars of 4/4 at 130 BPM, about 5:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 23, 25 and 27, and 20 more places -- 31.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 30 times: bars 9, 10, 15, 16, 21, 22 and 24 more.
2 more fills are written out on the fills page.
167 bars across 12 sections: 97 keep time, 30 are fills, 26 are stops and 6 are silent. The longest unbroken stretch of time is bars 112-138.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
167 bars, about 5:07 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 30 times: bars 9, 10, 15, 16, 21, 22 and 24 more.