94 bars of 4/4 at 112 BPM, about 3:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 11-13, 15-16 and 27-29, and 7 more places -- 26.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 10 times: bars 1, 2, 6, 34, 62, 69 and 4 more.
1 more fill is written out on the fills page.
94 bars across 10 sections: 71 keep time and 10 are fills. The longest unbroken stretch of time is bars 36-48.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
94 bars, about 3:22 at the written tempo. The course breaks it into 35 exercises over 13 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 1, 2, 6, 34, 62, 69 and 4 more.