164 bars of 4/4 at 140 BPM, about 4:38 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 47-50, 52 and 55-56, and 5 more places -- 13.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 26 times: bars 16, 18, 24, 26, 42, 43 and 20 more.
12 more fills are written out on the fills page.
164 bars across 15 sections: 94 keep time, 26 are fills, 14 are stops and 11 are silent. The longest unbroken stretch of time is bars 47-56.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
164 bars, about 4:38 at the written tempo. The course breaks it into 61 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 26 times: bars 16, 18, 24, 26, 42, 43 and 20 more.