88 bars of 4/4 at 110 BPM, about 3:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6, 8 and 10, and 13 more places -- 18.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 13 times: bars 15, 17, 19, 23, 27, 37 and 7 more.
4 more fills are written out on the fills page.
88 bars across 11 sections: 43 keep time, 13 are fills, 20 are stops and 2 are silent. The longest unbroken stretch of time is bars 5-12.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
88 bars, about 3:13 at the written tempo. The course breaks it into 37 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 15, 17, 19, 23, 27, 37 and 7 more.