77 bars of 4/4 at 110 BPM, about 2:44 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 34-38, 40-41 and 62 -- 11% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 26 times: bars 8, 12, 15, 16, 17, 21 and 20 more.
9 more fills are written out on the fills page.
77 bars across 10 sections: 26 keep time, 26 are fills, 12 are stops and 4 are silent.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 14 out of 100; the rest of the number is everything around it.
77 bars, about 2:44 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 26 times: bars 8, 12, 15, 16, 17, 21 and 20 more.