95 bars of 3/4 -- not four -- at 120 BPM, 2:54 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-15, 17-23 and 33-40 -- 27.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
95 bars across 8 sections: 58 keep time, 29 are stops and 1 is silent. The longest unbroken stretch of time is bars 6-23.
120 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 18 out of 100; the rest of the number is everything around it.
95 bars, about 2:54 at the written tempo. The course breaks it into 24 exercises over 6 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.