96 bars of 4/4 at 130 BPM, about 2:57 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-3, 5-6 and 9-11, and 7 more places -- 28.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 fills to learn, played 29 times: bars 7, 15, 23, 25, 29, 31 and 23 more.
10 more fills are written out on the fills page.
96 bars across 7 sections: 36 keep time, 31 are fills and 23 are stops. The longest unbroken stretch of time is bars 35-39.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
96 bars, about 2:57 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 29 times: bars 7, 15, 23, 25, 29, 31 and 23 more.