58 bars of 4/4 at 120 BPM, about 1:56 of playing, on crash, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 7-11, 13-17 and 34-38, and 1 more place -- 34.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
58 bars across 7 sections: 47 keep time, 1 is a fill and 2 are stops. The longest unbroken stretch of time is bars 8-17.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
17 out of 100: straightforward, and the one thing to watch is how often it moves around the kit. The beat itself is 4 out of 100; the rest of the number is everything around it.
58 bars, about 1:56 at the written tempo. The course breaks it into 13 exercises over 3 sittings, about 27 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.