77 bars of 4/4 at 120 BPM, about 2:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 20-27 and 39-46 -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 10 times: bars 9, 13, 17, 18, 19, 28 and 4 more.
77 bars across 9 sections: 45 keep time, 10 are fills, 10 are stops and 5 are silent. The longest unbroken stretch of time is bars 61-69.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
77 bars, about 2:33 at the written tempo. The course breaks it into 33 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 9, 13, 17, 18, 19, 28 and 4 more.