91 bars of 4/4 at 111 BPM, about 3:20 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 26-28, and 2 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 20 times: bars 1, 2, 3, 9, 13, 17 and 14 more.
8 more fills are written out on the fills page.
91 bars across 12 sections: 56 keep time, 20 are fills, 3 are stops and 1 is silent. The longest unbroken stretch of time is bars 34-41.
111 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
91 bars, about 3:20 at the written tempo. The course breaks it into 44 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 20 times: bars 1, 2, 3, 9, 13, 17 and 14 more.