120 bars of 4/4 at 135 BPM, about 3:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 5-7, 9-15 and 17-23 -- 15.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 13 times: bars 8, 16, 37, 38, 39, 40 and 7 more.
5 more fills are written out on the fills page.
120 bars across 15 sections: 39 keep time, 13 are fills, 44 are stops and 10 are silent. The longest unbroken stretch of time is bars 42-45.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
120 bars, about 3:33 at the written tempo. The course breaks it into 43 exercises over 15 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 8, 16, 37, 38, 39, 40 and 7 more.