145 bars of 4/4 at 110 BPM, about 5:06 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 20-21, 24-25 and 28-29, and 11 more places -- 17.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 12 times: bars 1, 2, 3, 4, 5, 6 and 6 more.
2 more fills are written out on the fills page.
145 bars across 16 sections: 105 keep time, 12 are fills and 2 are stops. The longest unbroken stretch of time is bars 20-29.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 42 out of 100; the rest of the number is everything around it.
145 bars, about 5:06 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 12 times: bars 1, 2, 3, 4, 5, 6 and 6 more.