91 bars of 4/4 at 130 BPM, about 2:48 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-24, 33-40 and 81-88 -- 26.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 14 times: bars 2, 4, 6, 8, 26, 28 and 8 more.
1 more fill is written out on the fills page.
91 bars across 11 sections: 61 keep time, 14 are fills and 5 are stops. The longest unbroken stretch of time is bars 55-70.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
91 bars, about 2:48 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 14 times: bars 2, 4, 6, 8, 26, 28 and 8 more.