114 bars of 4/4 at 114 BPM, about 4:00 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 12-18, 20 and 22, and 13 more places -- 21.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 12 times: bars 10, 34, 38, 40, 52, 61 and 6 more.
3 more fills are written out on the fills page.
114 bars across 10 sections: 85 keep time, 12 are fills and 1 is a stop. The longest unbroken stretch of time is bars 97-111.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
114 bars, about 4:00 at the written tempo. The course breaks it into 42 exercises over 11 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 10, 34, 38, 40, 52, 61 and 6 more.