164 bars of 4/4 at 120 BPM, about 4:57 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 18-19, 21-22 and 24-25, and 7 more places -- 9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 36 times: bars 10, 11, 12, 19, 25, 37 and 30 more.
5 more fills are written out on the fills page.
195 bars across 13 sections: 110 keep time, 36 are fills, 11 are stops and 18 are silent. The longest unbroken stretch of time is bars 157-183.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 31 out of 100; the rest of the number is everything around it.
164 bars, about 4:57 at the written tempo. The course breaks it into 49 exercises over 13 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 36 times: bars 10, 11, 12, 19, 25, 37 and 30 more.