145 bars of 4/4 at 120 BPM, about 4:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 34-36, 38 and 40, and 24 more places -- 32.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 6 times: bars 24, 32, 65, 73, 121 and 144.
145 bars across 11 sections: 113 keep time, 6 are fills, 3 are stops and 6 are silent. The longest unbroken stretch of time is bars 75-113.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
145 bars, about 4:50 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 6 times: bars 24, 32, 65, 73, 121 and 144.