127 bars of 4/4 at 120 BPM, about 4:14 of playing, on crash, ride, hi-hat, snare, high tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 41-48 and 109-122 -- 17.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 3 times: bars 55, 56 and 64.
127 bars across 10 sections: 111 keep time and 3 are fills. The longest unbroken stretch of time is bars 1-37.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
127 bars, about 4:14 at the written tempo. The course breaks it into 36 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 55, 56 and 64.