127 bars of 4/4 at 120 BPM, about 4:14 of playing, on crash, ride, hi-hat, snare, high tom and kick.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-48, ride through bars 49-64, snare through bars 65-72, hi-hat through bars 73-100, ride through bars 101-108 and hi-hat through bars 109-127.
The beat the song is built on is a 2-bar phrase, played through bars 41-48 and 109-122 -- 17.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
41 42
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |--x-x-----x-x---|--x-x-----x-x---|
HH |x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|
SD |x-x-r-----x-r---|--x-r-----r---r-|
BD |x-----x-x-----x-|x-----x-x-------|2 fills to learn, played 3 times: bars 55, 56 and 64.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
127 bars, about 4:14 at the written tempo. The course breaks it into 36 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 55, 56 and 64.