81 bars, 7:03, at 53 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 59-66 -- 11.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 31 times: bars 6, 8, 9, 13, 14, 17 and 25 more.
3 more fills are written out on the fills page.
81 bars across 8 sections: 29 keep time, 31 are fills, 1 is a stop and 12 are silent. The longest unbroken stretch of time is bars 60-68.
53 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 19 out of 100; the rest of the number is everything around it.
81 bars, about 7:03 at the written tempo. The course breaks it into 28 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 31 times: bars 6, 8, 9, 13, 14, 17 and 25 more.