286 bars of 4/4 at 128 BPM, about 8:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 215-221, 223-229 and 247-253, and 1 more place -- 10.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 11 times: bars 29, 30, 32, 36, 37, 38 and 5 more.
1 more fill is written out on the fills page.
286 bars across 20 sections: 232 keep time, 11 are fills and 8 are silent. The longest unbroken stretch of time is bars 180-210.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
90 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
286 bars, about 8:56 at the written tempo. The course breaks it into 87 exercises over 34 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 29, 30, 32, 36, 37, 38 and 5 more.