108 bars of 6/4 -- not four -- at 110 BPM, 5:32 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11-19 -- 15.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 24 times: bars 21, 22, 23, 24, 25, 26 and 18 more.
108 bars across 6 sections: 33 keep time, 24 are fills and 49 are silent. The longest unbroken stretch of time is bars 11-20.
110 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 36 out of 100; the rest of the number is everything around it.
108 bars, about 5:32 at the written tempo. The course breaks it into 17 exercises over 7 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 24 times: bars 21, 22, 23, 24, 25, 26 and 18 more.