108 bars of 4/4 at 127 BPM, about 3:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 34-41, 55-69 and 84-92 -- 31.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 6 times: bars 17, 29, 33, 50, 54 and 71.
108 bars across 13 sections: 78 keep time, 6 are fills, 3 are stops and 7 are silent. The longest unbroken stretch of time is bars 85-106.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
108 bars, about 3:24 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 17, 29, 33, 50, 54 and 71.