113 bars of 4/4 at 116 BPM, about 3:52 of playing, on ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 55-59, 61 and 63-67 -- 9.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
113 bars across 11 sections: 95 keep time. The longest unbroken stretch of time is bars 75-96.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 13 out of 100; the rest of the number is everything around it.
113 bars, about 3:52 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 26 minutes each.
ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.