216 bars of 4/4 at 120 BPM, about 7:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 37-52, 71-86 and 129-144, and 1 more place -- 31.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 23 times: bars 3, 5, 7, 9, 22, 34 and 17 more.
7 more fills are written out on the fills page.
216 bars across 16 sections: 160 keep time, 23 are fills, 9 are stops and 13 are silent. The longest unbroken stretch of time is bars 38-52.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
216 bars, about 7:11 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 23 times: bars 3, 5, 7, 9, 22, 34 and 17 more.