105 bars of 4/4 at 115 BPM, about 3:39 of playing, on crash, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 9-12, 17-20 and 33-35, and 3 more places -- 32% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 10 times: bars 24, 36, 57, 58, 59, 60 and 4 more.
2 more fills are written out on the fills page.
105 bars across 19 sections: 74 keep time, 10 are fills and 5 are silent. The longest unbroken stretch of time is bars 79-92.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
105 bars, about 3:39 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 24 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
6 fills to learn, played 10 times: bars 24, 36, 57, 58, 59, 60 and 4 more.