The beat the song is built on is a 2-bar phrase, played through bars 2-3, 6 and 10-11, and 17 more places -- 19.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on crash, hi-hat, snare and kick, counted in sixteenth notes. On its own it scores 68 out of 100 -- demanding -- and the thing that decides that is how many notes a second it asks for.
The whole song is 70 out of 100, so the beat is most of what the song asks for. Get it clean and the rest follows.
A part this hard is not learned by playing it slowly and hoping. The room opens it on its simplest reduction -- the timekeeper alone, at 95 BPM -- and adds the notes back over 5 rungs, each with a tempo to reach and a gate to pass before the next.
Tempo goes 95, 114, 133, 153 and 172 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A 2-bar phrase on crash, hi-hat, snare and kick, in 4/4 at 172 BPM, counted in sixteenth notes. It is written out above, and it covers 19.6% of the bars the kit plays.
Bars 2-3, 6, 10-11 and 14, and 16 more places. The time is kept on the snare to start with, and it changes 1 time over the song.
68 out of 100 on its own -- demanding. The song as a whole is 70 out of 100: demanding, mostly on how many notes a second it asks for.