182 bars of 4/4 at 140 BPM, about 5:18 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 14 more places -- 21.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 12 times: bars 40, 47, 55, 61, 140, 148 and 6 more.
182 bars across 22 sections: 131 keep time, 12 are fills, 13 are stops and 16 are silent. The longest unbroken stretch of time is bars 1-15.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
182 bars, about 5:18 at the written tempo. The course breaks it into 52 exercises over 18 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 12 times: bars 40, 47, 55, 61, 140, 148 and 6 more.