208 bars of 4/4 at 120 BPM, about 6:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 18-23, 26-31 and 34, and 13 more places -- 19% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 63 times: bars 1, 16, 17, 32, 33, 35 and 57 more.
10 more fills are written out on the fills page.
208 bars across 14 sections: 108 keep time, 63 are fills, 16 are stops and 8 are silent. The longest unbroken stretch of time is bars 82-87.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
208 bars, about 6:56 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 63 times: bars 1, 16, 17, 32, 33, 35 and 57 more.